Ring Dance #3 and #4 just came back…
from the galvanizers. There is something delightful about the way the fresh zinc coating shines and throws light around—particularly on this set, which has a sine-wave curve around the circumference of each ring. They will oxidize over time to a more classic industrial gray, but this effect could be maintained with a powder-coat finish on top of the galvanizing.
I produced Ring Dance #3 & 4 as an interacting set, entitled DUET. They stand alone near one another in such a way that from some angles they flow one into the other. From other angles one stands tall to tower and lean over the other, which nuzzles from a more relaxed horizontal position.
DUET was conceived as a reference to music, and the musical scale. When I was deciding what sizes to make the rings I chose to make seven ring sizes that mimic the frequencies of the A major scale. I started with a 24 inch diameter circle representing 220 hertz. With that as a starting point I could calculate that a 27 inch circle would represent B, at 246.942 hertz, C (261.626 hertz) would be represented with a 28.5 inch ring—and so on. All together DUET is composed of seven “A”s, six “B”s, five “C”s, four “D”s, three “E”s, two “F”s, and one “G”. I haven’t tried arranging that into a musical sequence. Give it a try!
When I began bending the angle iron, the machinery colluded to enhance the musical reference in an unexpected way. I had decided to make an inside bend and as the steel fed into the slip roller, it began to oscillate side to side, forming that sine-wave curve you can see in the photos. It’s not what I imagined would happen—which showed me one more time that the process often has a better imagination than I do.
The paired elements of DUET, Ring Dance #3 & 4, harmonize beautifully. Since they were completed they have become part of the Refuge landscape, welcoming visitors near the entrance, among the blueberry bushes.
Art and Practice
Don Freas is an artist, writer, and poet in Olympia, Washington.