Ring Dance #2/ CORE, which was at the west end of State St. on Percival Landing in 2012, is now mounted permanently in a street-side parklet near the NE corner of Fourth and Franklin Streets in Olympia. In the daytime its shadow walks across the sidewalk and climbs the building to the east. At night the streetlights print two copies of the piece in shadows on the wall. I’m honored to see the piece out on its own in the world.
All the Ring Dance pieces are based on the abstract arrangement of circular elements. They are fabricated using a procedure that avoids pre-thinking what the result will look like. I collaborate with the elements and processes, adding them one by one to the piece, and sometimes in repeating clusters. As an overall thrust surfaces I work to enhance that. The process is unnerving at times. I don’t know how it will come out and that can make me anxious. Continuing anyway leads to final pieces I could never have imagined in advance. So I proceed.
The new pieces, Ring Dance numbers six, seven, eight, and nine, are the result of a series of interwoven creative experiments based on rings made by slicing pipe, and a “staple” form made from a length of heavy channel iron. I wondered what would happen if I introduced the linear, masculine element of the staple, mixing it in with the rings. I also began experimenting with opening the rings so that they could intersect in new ways.
All four pieces developed at once as I played with the elements and connections that fascinated me. At various times I thought it was all moving toward one piece. At other times it was all moving toward more scrap. Finally one piece after another emerged as discreet siblings. Just like us they are made of the same stuff. Through whimsy, chance, and intention, each becomes a unique character.