I was moved to make a table for the deck, and with a sculpture about to travel up to the galvanizers, there was added pressure to finish something I could include with the run. I had a pile of twisty angle iron pieces six to ten inches long that were the end pieces cut off when I made the rings for the latest Ring Dance (DUET). I welded about half of them together into curving forms roughly two feet long. Riffing on past experience working with curly willow and beaver sticks, I fabricated the twisted linear forms into a chaotic base that flows and dances, and finally seem to cross paws and bow. I bent another length of angle into a ring for the edge of the top, and cut a circle out of a leftover piece of eighth inch sheet to wrap it around. The outcome is a bit overbuilt, perhaps (at fifty-five pounds) but makes a very stable deck table, big enough for writing, or a couple of glasses of wine and a plate of hors d'oeuvres. My daughter said it reminded her of those coastal trees that have grown under the pressure of steady winds, so I call it Windswept Table. 8/14/2012 Dreaming CirclesRing Dance #3 and #4 just came back… from the galvanizers. There is something delightful about the way the fresh zinc coating shines and throws light around—particularly on this set, which has a sine-wave curve around the circumference of each ring. They will oxidize over time to a more classic industrial gray, but this effect could be maintained with a powder-coat finish on top of the galvanizing. I produced Ring Dance #3 & 4 as an interacting set, entitled DUET. They stand alone near one another in such a way that from some angles they flow one into the other. From other angles one stands tall to tower and lean over the other, which nuzzles from a more relaxed horizontal position. DUET was conceived as a reference to music, and the musical scale. When I was deciding what sizes to make the rings I chose to make seven ring sizes that mimic the frequencies of the A major scale. I started with a 24 inch diameter circle representing 220 hertz. With that as a starting point I could calculate that a 27 inch circle would represent B, at 246.942 hertz, C (261.626 hertz) would be represented with a 28.5 inch ring—and so on. All together DUET is composed of seven “A”s, six “B”s, five “C”s, four “D”s, three “E”s, two “F”s, and one “G”. I haven’t tried arranging that into a musical sequence. Give it a try! When I began bending the angle iron, the machinery colluded to enhance the musical reference in an unexpected way. I had decided to make an inside bend and as the steel fed into the slip roller, it began to oscillate side to side, forming that sine-wave curve you can see in the photos. It’s not what I imagined would happen—which showed me one more time that the process often has a better imagination than I do. The paired elements of DUET, Ring Dance #3 & 4, harmonize beautifully. Since they were completed they have become part of the Refuge landscape, welcoming visitors near the entrance, among the blueberry bushes. |
Art and Practice
Don Freas is an artist, writer, and poet in Olympia, Washington. Categories |
Don Freas
515 Flora Vista Rd Olympia WA 98506 (360) 357-2850 don@donfreas.com |
8/23/2012
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